Monday, November 11, 2013

Balls of Light and Columns of Smoke: Surfaces in Hyperbolic Crochet,

Creative Combinations at the Wisconsin Union Galleries

Creative Combinations at the Wisconsin Union Galleries

Interesting forms have taken over the Wisconsin Union Galleries. Beautiful beings seem to twist, turn and grow before you in the Class of 1925 Gallery in the Memorial Union, and in the adjacent room, rebar has transformed into a minimalist landscape in the Porter Butts Gallery.
In Balls of Light and Columns of Smoke: Surfaces in Hyperbolic Crochet, Ayelet Lindenstrauss Larsen and Gabriele Meyer showcase a stunning application of math. The two mathematicians have created large- and small-scale hyperbolic forms out of crochet.
In an exhibition statement, the artists explain that a hyperbolic plane is a type of two-dimensional object in which every point looks like every other point. But in these planes, “if you start looking at concentric circles, their circumferences grow ‘too quickly.’” This “extra” grows exponentially, resulting in wild ruffles and curls.
The forms occur naturally in some shells, algae and leaves, but Larsen and Meyer create theirs by hand, in boldly hued and white yarn. Meyer hangs her larger works from the ceiling, allowing them to turn and interact within the space.
Larsen, in contrast, displays her tiny forms inside miniature room-boxes, a clever way to play with scale. Though her pieces are small, they feel otherwise. She writes: “when I hold them in the palm of my hand they do not feel small. The explosive growth of their boundaries gives them power, and the power reads as big.”
While one might expect an artistic examination of a mathematical form to be carried out in a high-tech, computerized manner, the surprising use of a traditional craft instead is a stirring and deeply satisfying choice.

In the next room, Suzanne Torres explores the dualities of the modern world in De-Constructed Environments.
Her “Solitary Skin” installation spans the gallery floor. The steely rebar material and grid-like form reference cities, construction and urban architecture, yet the organic shape resembles an undulating landscape. Its sleek, almost skeletal shape abstracts and distills the idea of the environment down to its essence.
In a statement about the exhibition, Torres writes: “My intention is to devise an alternative landscape embedded in the dualities that construct our habitats—the natural and artificial, the surreal and intimate, the contrived and happenstance—by manipulating the language of materials most commonly associated with our constructed settings and mundane usage.”

By her hand, the combination of hard, human-made materials and a free-flowing, natural form feels like a most accurate reflection of the modern environment.
Both De-Constructed Environments and Balls of Light and Columns of Smoke run through October 29 at the Memorial Union. For more information, visit union.wisc.edu.

Yarn Bombing: a craft phenomenon that's gone from street art to community activity!

Have you noticed any trees wearing sweaters, or statues with colored covers? Then you've seen yarn bombing, a craft phenomenon that's gone from street art to community activity!

WASHINGTON -- Look closely , and you'll notice something special about the greenery at the Smith Center for Healing and the Arts community center on U Street: It's made entirely of yarn.
"We wanted to play on the contrast and decorate the outside with something that you don't traditionally see in this urban jungle," says Stacy Cantrell, 41, the curator of the Smith Center's knit graffiti.
The nonprofit's display is the latest iteration of the craft trend that's been coloring city streets for about a decade; Yarn bombing, the act of crocheting and knitting unexpected pieces for public display. Leanne Prain, author of Yarn Bombing who may have coined the term, says "bombing" is a word often used in street art to describe "something explosive you do really fast," like "spraypaint subway cars" and now, cover public property in knitting. Hurry and take an iPhone picture, because the pops of woven color go up quickly and have limited life-spans.

"That's kind of the beauty of yarn bombing—it's temporary," says Beth Baldwin, 40, an arts coordinator who adorned a sign-less brown-brick bar in 2011 with knitted pink and red hearts. "Maybe you're noticing things in your neighborhood that you never noticed before, and then it's gone. It leaves a little hole in your artistic heart."

The artwork filling people's hearts, Twitter feeds, Pinterest boards and Instagram accounts, ranges from tube socks on parking meters, to accessorized statues and wrapped city buses.
Magda Sayeg, 39, is widely considered the first yarn bomber. She says she "wanted to add something that was a little more human and soft" to her Houston, Texas clothing store "on a boring, dreary day" in 2005. So, she knit a cover for her doorknob.

"People were walking in to look at it and asking me about it," she says. Later, Sayeg and a group of guerrilla knitters who cheekily called themselves Knitta, please, "wanted to gauge people's reactions" by knitting covers for car antennas and stop signs. Other international knitters have followed suit, leaving few cities safe from surprise attacks of yarn.

Sayeg covered a Mexico City bus in psychedelic colors, yarn bombed part of a Bali statue, wove a message into 250 rods on a Brooklyn bridge and decorated a Sydney stairwell in stripes of yarn. "Even if you're a grumpy person and hate my work, you end up sort of smiling" after seeing it, she says.
Yarn artwork like Sayeg's is more than just pretty colors. Knit installations "can be absolutely subverting authority," says Nicholas Bell, curator of American Craft at the Smithsonian American Art Museum. He says, for example, popular crochet artist Olek showed "underlying criticism of the economic order" when she yarn-bombed the Wall Street bull statue in pink yarn on Christmas three years ago.

In July 2012, Bell featured an Olek work in his 40 Under 40: Craft Futures exhibit at the American Art Museum's Renwick Gallery. "People did a lot of staring in disbelief" at Olek's installation, a yarn-bombed room which "rips the idea of knitting as your grandma's hobby," says Bell.
Lucia deCordre, urban design director at Virginia's Rosslyn Business Improvement District, turned to yarn-bombing when she needed a community-friendly way to highlight the path from the local metro stop to the Artisphere museum in Virginia.
"Yarn bombing could get that job done," while also bringing the community together, said deCordre. This summer, more than 140 volunteers hand-stitched tree covers and crocheted animals for the project, which earned deCordre a Downtown Merit Award.
Back on U Street, the knit cacti are about much more than grabbing attention and directing pedestrians; they're about healing.

Creating the public art brings people together "from all walks of life, ages and skill levels" for therapeutic knit sessions, says Cantrell, who curated both the Rosslyn and U Street yarn displays. The Smith Center, which is yarn-bombing in honor of its Against the Bias craft exhibit, is a non-profit community center for those affected by cancer.

Those that participated will "enter into this community of crocheters and knitters, and make lifelong friendships," says Cantrell.

Meanwhile, passersby can't help but turn their heads and smirk at the wild yarn flowers. Sheetal Patel, 33, stops to take a photo.

"I've never seen a yarn bomb before," she says after the term is explained to her. "It makes me so happy, because it's a drab street. Now, I can peek out my window" to see some "character."

Saturday, April 7, 2012

Love and War: The Essence of Luminosity

When I think of luminosity I think of the brightness of the sun or associate it with technology, light bulbs, light emitting diodes, and of course, the energy sources that make it possible. In many ways, creating light has promoted the “nightlife” or our ability to see, signal, and interact in darkness.  Just a trip to Times Square in NYC can provide us with all the latest and greatest ways to project ideas and propaganda.  There’s no doubt that “artificial light” has profound functional, economic, and scientific applications, and even social meaning, but how do other creatures produce light and particularly why has it evolved in the ocean?  What are they signaling and what can we learn from the meaning of their essence?
 To be or not To be Luminous
Recently I had the pleasure and privilege to visit a new exhibit at the American Museum of Natural History in New York City.  The exhibit is called “Creatures of Light” and it features organisms that produce their own biofluorescence and bioluminescence.  I was given a tour of the exhibit by David Gruber and John Sparks, both National Geographic Society / Waitt Foundation Grant recipients.  David Gruber has been contributing with the development of the coral wall as part of an NSF Communicating Science to Public Audiences grant, and John Sparks is the curator of the exhibit.  The subject is fascinating but there’s still many questions surrounding this ability to glow.  I caught up with David Gruber and John Sparks at the New York exhibit for clarification on some questions regarding their fascinating research.

Q: What is the difference between bioluminescence and biofluorescence?
A: Bioluminescent animals produces their own light, but biofluorescent animals absorb light and re-emit it as a different color. Some animals are both bioluminescent and biofluorescent, such as the palm-sized hydromedusae jellyfish Aequorea victoria. Along the ring of this crystal jellyfish are glowing orbs, known as photocytes, which produce blue bioluminescent light that no one sees. This is because a green biofluorescent compound surrounds the photocyte, immediately capturing the blue light and re-emiting it as an eerie green flash. Corals (relatives of jellyfish) are almost exclusively biofluorescent, and when illuminated with blue or violet light, kick it back out as neon orange, green and red.
 Q: How does bioluminescence evolve in organisms?
A: Love and war seem to be the most compelling reasons for many of the creatures that developed these glowing properties. Of course, there are other reasons such as a cell expelling light to burn off potentially dangerous excess energy, or an anglerfish luring its meal with an hypnotic glowing bait. But, we’re mostly familiar with luminescence used for predator deterrence and mating attraction. For example, the cookiecutter shark (Isistius brasiliensis), a small but vicious species that bites off cookie-sized plugs of flesh from its prey – tuna, dolphins, whales and other sharks. Its belly is covered tiny lights (photophores), except for a small region, that serves as a kind of optical illusion to make this shark appear much smaller to predators swimming underneath, when they attack what appears to be a tiny fish, they get a surprise – a bite taken out of them. Also, there is a polychaete worm called Odontosyllis phosphorea. Right after a full moon, the females ascend from the bottom and secrete a green luminescent slime along with their gametes. This signal attracts the males who, in turn, spill their gametes into the billowing green luminescent cloud.  While ascending from a night dive in the Bahamas I once witnessed this Disco-like mating ritual. While creatures have evolved varied and sophisticated methods to take advantage of luminescence the primary components are two molecules, luciferin and luciferase, bioluminescence’s fuel and sparkplug. Some organisms make their own luciferin, many get it from their diet, and some even form partnerships (symbioses) with bioluminescent bacteria.  Interestingly, the functions we observe today in many groups (e.g., fireflies, ponyfishes) are quite different from what these creatures originally used bioluminescence for.
Q: Where in the Ocean can we find these creatures that glow?
A: Most people usually think of fireflies and jellyfishes when they hear the term bioluminescence, so the perception is that luminescence is a rare occurrence. However, it’s almost everywhere in the ocean as well as more common on land than most people think. Humans have evolved as daytime creatures –our ancestors waking at dawn and sleeping at night for millennia. Conversely, creatures that inhabit the permanently dark depths of the oceans find bioluminescence essential for their survival and communication. When diving at night, when you turn off the lights, its often an underwater lightshow, the ocean’s Las Vegas.
Back at the Creatures of Light Exhibit
I walked into a soothing dark space filled with music, a dreamy melody composed by Tom Phillips specially for the exhibit.  I felt as if I was in a dream and was curious to touch, see, learn and explore the many interactive stations, cool displays, and dimly lit spaces glowing with bioluminescence.  I had flashbacks of being a kid and running around the backyard among the many fireflies.  I began to ponder how does one get interested in this world and what sort of knowledge and equipment are necessary to capture their essence.  David Gruber and John Sparks kindly illuminated my curiosity.
Q: Tell us about the technology that you are creating to capture images of bioluminescence.
A: One of the challenging aspects of capturing bioluminescence is that you cannot use any artificial lighting, and you need to rely solely on the light being produced by the animal. One forgets how incredibly sensitive the dark-adapted eye is and few cameras can achieve that level of sensitivity. But, low-light imaging technology has been revolutionized in the past few years and there are several wildly sensitive science-grade cameras. But, they are big and bulky, and not in color. Working with Prof. Vincent Pieribone, a neuroscientist at The John B. Pierce Lab at Yale University, we are working to transform these lab-based cameras into colorized underwater imaging systems. During our Waitt Expedition in June, we will finally put some of these cutting edge imaging technologies into use.
Q: What’s so cool about studying these creatures?
A: It sure beats a typical desk job. We are constantly looking for clues to explain what the glowing or fluorescent properties of each creature are used for or how these phenomena have evolved. Then there is the challenging process of finding, filming and collecting these creatures. This requires exploration that has taken us to unfamiliar places. We are in the ocean diving for at least two months of the year –and much of the diving is done at night, without the aid of lights. This can be unnerving, to say the least when we occasionally catch a glimpse of a large shark in our lights.
 Beyond the beauty of this dream-like scenario, there must also be some novel applications to understanding a bit more of this new research frontier.  According to Gruber and Sparks “Scientists are now using bioluminescent compounds from marine animals to help track and destroy cancer cells. Cancer cells are notorious for hiding out among healthy cells before they start replicating uncontrollably.  Yet, using luminescent compounds, these hidden cancer cells are easily detected and this can help scientists find cancer-fighting drugs that can effectively target them. In brain research, biofluorescent compounds from corals and jellyfishes are enabling the real-time visualization of neurons firing which is being used in medical research as well as in brain-machine interfacing technology”. In fact, the Nobel Prize in Chemistry in 2008 went to a team of scientists responsible for discovering and developing the green fluorescent protein, GFP.  This discovery has allowed the visualization of processes that were previously invisible, such as the development of nerve cells in the brain or how cancer cells spread.  There’s no doubt that the future applications that stem from this research are bound to have profound effects on humans.

Creatures of Light is a unique exhibit for its focus on the different examples of bioluminescence; from fireflies to glowworms, jellyfish, anglerfish to fluorescent corals.  It is also sophisticated in how it has combined ipads, music, low light, an information that can be fascinating for a five year old or a seasoned scholar.  Personally, I found the entire experience very soothing, I guess because the lights were low, it seemed to be a very relaxing atmosphere and the faint glow that was visible, was organic, natural and alive.  I wonder if perhaps the evolution and ability of these creatures to have developed such complex yet simple life ways are due to the tranquility of their dark world.  Is light associated with stress, darkness with tranquility?  I can think of examples where the opposite could be argued to be true.  Perhaps we as humans should think about exploring the night and develop an ability of seeing in darkness. We may discover the inner glow of life.
 About the Explorers
Dr. David Gruber is a marine biologist who uses extended-range SCUBA and Remote Operated Vehicle technologies to explore the deeper portion of the world’s coral reefs. His research focuses on photosynthesis and biofluorescence and his research team has discovered over 30 novel fluorescent proteins, including the brightest one found to date. He is currently funded by the National Science Foundation to design and engineer a submersible specifically to study bioluminescence and biofluorescence of deep coral reefs. David is committed to communicating science to the general public. His writings have appeared in The New Yorker and The Best American Science Writing and he is the co-author of “Aglow in the Dark: The Revolutionary Science of Biofluorescence” (Harvard University Press, 2006), which he is currently co-producing into a 3-D IMAX film in conjunction with the National Film Board of Canada. David received his PhD in Biological Oceanography in 2007 from Rutgers Institute of Marine and Coastal Sciences. He is a Research Associate in Invertebrate Zoology at AMNH and Assistant Professor of Biology and Environmental Science at Baruch College, City University of New York
Dr. John Sparks is Curator-in-Charge in the Department of Ichthyology at the American Museum of Natural History. He travels the world in search of bioluminescent and biofluorescent organisms, primarily marine fishes. His research is focused on reconstructing the evolution of the bacteria-driven bioluminescent signaling system in ponyfishes—small, laterally compressed fishes that occur in the Indian Ocean and Western Pacific that have light organs surrounding their throats. He is also investigating the evolution of hearing in fishes, the origin and biogeography of Madagascar’s freshwater fishes, and the evolution of bioluminescence across marine fishes. Dr. Sparks’ recent fieldwork includes biotic surveys and inventories of both freshwater and nearshore marine fishes in Madagascar, the Indo-Pacific region, South America, the Caribbean, and the Western Atlantic. He is also a professor in the Richard Gilder Graduate School at the Museum and an adjunct professor in the Department of EEEB at Columbia University. Dr. Sparks received a M. Sc. in biology from the University of Michigan in 1997 and a Ph.D. in ecology and evolutionary biology from the University of Michigan in 2001. He joined the Museum in 2002.

Wednesday, March 28, 2012

FELTED HANDS BY JANNE

Felting Hands



“Felting Hands” is a three dimensional interpretation of Escher’s “Drawing Hands”. It is made entirely of wool. By shaping fluffy wool with your hands and then poking it repeatedly with a felting needle, the air is pressed out and the barbs on the needle lock the fibers together. It’s kinda like sculpting with dry paint. So, these two hands are basically felting each other into excistence.



Saturday, February 25, 2012

Join the Evolution! (Evolver)

Join the Evolution!

168
groks
Connect with other evolvers through our 40+ regional Spore chapters in the US and abroad, or jumpstart your own Spore. Together we are building an international network for an emerging planetary culture based on ecological values and creative collaboration. Here’s how to get involved.
As a critical component of the Evolver Social Movement, the Spores serve as hubs of cultural incubation and environmental activation that bring together diverse individuals and groups to share their gifts, wisdom, talents, resources, and visions to manifest tangible changes in their communities. Every third Wednesday of the month, the Spores host convergence events based on themes like food, alternative health, shamanism, and water. This month's theme is "<"http://www.evolver.net/event/2012/03/21/evolver_spores_come_together">Come Together"
Below, you’ll find a map of our growing network, or find your local Spore by zip code. Make sure to join the regional group to receive announcements and email the group host if you'd like to help Sporeganize. If there’s not a Spore in your town, we invite you to start one by emailing remi((at))evolver.net.

View Evolver Global in a larger map
Spores around the World
AUSTRALIA: Nimbin, Sydney
CANADA: Calgary, Toronto , Vancouver
EUROPE: Budapest, London, Vienna, Yorkshire
USA: Asheville, Atlanta, Austin, Baltimore, Birmingham,AL, Bloomington, Boston, Boulder, Buffalo,Chicago, Columbia, MO, Columbus, Denver,Everett, Indianapolis, Iowa
City
, Long Beach, Los Angeles, Mount Pleasant, Murfreesburo, Naples, FL,
New Orleans
, New York City, Oakland/East Bay, Omaha, Philadelphia,
Pittsburgh
, Portland, OR, Sacramento, Salt Lake City, San
Francisco
, San Luis Obispo, Santa Barbara, Seattle, Tacoma,Washington,DC, Wilkes-Barre
Upcoming Themes:
March 21, 2012 - Intentional Communities (Getting Back Together)
April 18, 2012 - The Mystery of Dreams
May 16, 2012 - Transforming Politics
June 20, 2012 - Psychedelic Renaissance
July 18, 2012 - Consciousness & Climate Change
August 15, 2012 - Day of Action (Optional)
September 19, 2012 - Thought for Food
October 17, 2012 - Synchronicity/Magic
November 21, 2012 - The Healing Journey
Evolver embraces a permaculture approach to our movement by supporting local autonomy, abundance, and resilience while combining the resources and collective wisdom of an interconnected network. Our “agents of transformation” working together across the globe have coordinated green festivals, shepherded time banks and local currencies, hosted large-scale consciousness raising parties, cleaned up rivers, facilitated women's groups, helped create community orchards, organized local foresting efforts, and assisted flood victims in Hungary. We also crash on each other's couches, share our various gifts, and have a lot of fun connecting at events across our shared network.

Become a Member: The Evolver Social Movement depends on the contributions of passionate evolutionaries like yourself to sustain our transformative media platforms, Evolver.net and Reality Sandwich, and to grow our local Spore communities in the US and abroad. By sharing our vision, and investing in our mutual future, you can expect it to repay you in some surprising, synchronistic ways. We invite you to become a member of E+SM and receive free gifts and discounts to Evolver and Reality Sandwich events.
(Community Note: In order to help folks connect with evolvers in their area, we'll be keeping this post at the top of the blog section on the homepage. Thanks for understanding and for participating in this project.)

Thursday, November 3, 2011

YARN BOMB'S

'Yarn bombing': Woman bundles downtown Bemidji tree in sweater

 LAURIE SWENSON  Bemidji Pioneer

BEMIDJI, Minn. — Passersby on Third Street in downtown Bemidji have been noticing a tree sporting a multicolored crocheted sweater that looks just right for the dropping temperatures of fall.
That is the work of Jen Pomp, co-owner of the Yellow Umbrella gift shop across the street from the flower bed she tends. She crocheted the tree sweater in a two-week period and installed it in sections in late June.
"I made it just to put smiles on people's faces and bring some conversation and a touch of handmade on the street," Pomp said.
She had read online articles on "yarn bombing" or "guerrilla knitting" occurring in large cities to bring color and beauty to urban landscapes of concrete and steels. She was immediately inspired.
"People will take city things and put a handmade fiber art touch," she said. "A lot of bigger cities will even organize it," having fiber artists create, for example, official parking meter covers.
The phenomenon started out like graffiti, Pomp said, adding that people would look at the knitted or crocheted item, smile, and wonder where it came from.
"Yarn bombs" have been found brightening up a railing at a mall in Duluth, hugging Minneapolis sign posts, covering the "Charging Bull" sculpture in New York, as a vest for the "Rocky" sculpture in Philadelphia, filling sidewalk cracks in Paris and adorning bike racks in Melbourne. Toyota commissioned a sweater for a Prius. June 11 was International Yarn Bombing Day.
Pomp was asked in mid-June if she would be interested in tending the flower bed through the Bemidji Downtown Development Association's Adopt-a-Garden program.
"I love to garden and have been so busy with the store that I haven't been able to do much of it at home lately," she wrote in the Yellow Umbrella blog on June 16. "So what's better than a mini garden across the street? It will be nice to get some fresh air and play in the dirty throughout the week while I'm 'working."
After she took over the spot, she wondered, "How do I make this garden cool and different?"
"I found myself wanting to do something really special in this space that would sort of reflect the fun crafty creative feel that is Yellow Umbrella," she wrote in the blog. "And then it hit me . MAKE A TREE SWEATER!"
After she got the idea, she called Linda Autrey, the volunteer coordinator of the Adopt-a-Garden program.
Pomp was nervous, she said: "Is the going to think I'm nuts?"
But Autrey encouraged her to go for it.
"I certainly know it wouldn't hurt the tree and it would add even more art to our streets," Autrey said. "I thought it was really neat."
Autrey has 43 groups of people who plant, weed and water the gardens all summer long. She has been coordinating the program for 12 years.
Pomp chose a yellow, orange, cream, pink and lemongrass green color scheme, using Lion Brand Thick & Quick yarn that is 80 percent acrylic and 20 percent wool and will hold up well against Minnesota weather.
She crocheted the tree sweater in sections - two sections for the trunk (above and below the branches) and sections for the four branches emerging from the trunk. She measured the diameter of each section, leaving a little room for growth, and, when finished, placed the sections on the tree and closed up the seams.
Occasionally, she would go out and do fittings, and people would ask what she was doing. Even more questions came while she was doing the seams.
Pomp noted that some people knit or crotchet right on the piece they're covering, but that takes considerable time on the site.
She said she is enjoying seeing pictures of the tree sweater on other people's Facebook pages. Pomp also likes that she can see the tree from the store, where she brings her 1-month-old daughter, Millie.
Pomp would love to see more yarn bombing in Bemidji, she said, adding that she would be glad to organize an outing where people could, for example, put sleeves on trees in Library Park or do a project during Art in the Park.
"I would like to be part of it," she said. "it would be so striking and so fun."
Pomp owns Yellow Umbrella with her sister-in-law. They share the same name, but her sister-in-law goes by Jennifer. Jen is married to Jon; Jennifer is married to his brother Andy.
Yellow Umbrella opened Dec. 5, 2009, in Nymore and moved to its current location on Third Street on June 3. The Nymore location is now Red Umbrella, an upscale thrift store. Pomp said Yellow Umbrella sells the yarn she used for the tree sweater. She and her sister-in-law use it to make cowls and hats for the store.
To see how the tree sweater came together, visit the Yellow Umbrella blog at http://yellowumbrellashop.blogspot.com and look in the June archives for three blog posts titled "Getting Creative."

--LAURIE SWENSON  Bemidji Pioneer
http://www.therepublic.com/view/story/b32e8d557d1a442ea2bf9f360420c4f7/MN--Exchange-Yarn-Bombing/

THREADONISM DOT COM

PLEASE VISIT THREADONISM DOT COM AND SEE THE AMAZING NEW PROJECTS FROM THE STUDIO'S OF JANNE!


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Threadonism Photoshoot

Posted by admin - September 14th, 2011










 Photos by Diana Mijnhout (www.dianamijnhout.com).






Meet Eva Sativa

Posted by admin - July 17th, 2011

See more pictures of Eva Sativa

The Pole Dancer

Posted by admin - June 27th, 2011

Welcome to Circus Threadonism!

Posted by admin - May 19th, 2011
Watch the video The making of Nancy.
Email me at threadonism[at]hotmail.com.





Thursday, January 27, 2011

Saturday, December 11, 2010

The Unfinished Project: Exploration, Learning and Networks.

Mark Pesce - Words.
CHU - Images.
Steve 'Fly Agaric'' - Mixing



CHU CUBE v1.0
CHU CUBE v1.0

The Unfinished Project:

Exploration, Learning and Networks

Part One: The Educational Field


We live today in the age of networks. Having grown from
nothing just fifteen years ago, the network has become one of
the principal influences in our lives. We trust the network; we
depend on the network; we use the network to make ourselves
more effective. This state of affairs did not develop gradually;
rather, we have passed through a series of unpredicted and
non-linear shifts in the fabric of culture.

The first of these shifts was coincident with the birth of the
Web itself, back in the mid-1990s. From its earliest days the
Web was alluring because it represented all things to all
people: it could serve as both resource and repository for
anything that might interest us, a platform for whatever we
might choose to say. The truth of those earliest days is that
we didn’t really know what we wanted to say; the stereotype
of the page where one went on long and lovingly about one’s
pussy carries an echo of that search for meaning. The lights
were on, but nobody was home.

Drawing the curtain on this more-or-less vapid era of the
Web, the second shift began with the collapse of the dot-com
bubble in the early 2000s. The undergrowth cleared away,
people could once again focus on the why of the Web. This
was when the Web came into its own as an interactive
medium. The Web could have been an interactive medium
from day one – the technology hadn’t changed one bit – but it
took time for people to map out the evolving relationship
between user and experience. The Web, we realized, is not a
page to read, but rather, a space for exploration, connection
and sharing.

This is when things start to get interesting, when ideas like
Wikipedia begin to emerge. Wikipedia is not a technology, at
least, it’s not a specific technology. Wikis have been around
since 1995, nearly as old as the Web itself. Databases are
older than the Web, too. So what is new about Wikipedia?
Simply this: the idea of sharing. Wikipedia invites us all to
share from our expertise, for the benefit of one another. It is
an agreement to share what we know to collectively improve
our capability. If you strip away all of the technology, and all
of the hype – both positive and negative –from Wikipedia,
what you’re left with is this agreement to share. In the decade
since Wikipedia’s launch we’ve learned to share across a
broad range of domains. This sharing supported by
technology is a new thing, and dramatically increases the
allure of the network. What was merely very interesting back
in 1995 became almost overpowering in the years since the
turn of the millennium. It has consistently become harder
and harder to imagine a life without the network, because the
network provides so much usefulness, and so much utility.

The final shift occurred in 2007, as Facebook introduced F8,
its plug-in architecture which opened its design – and its data
– to outside developers. Facebook exploded from a few
million users to over four hundred million: the third largest
nation in the world. Social networks are significant because
they harness and amplify our innate human desire and
capability to connect with one another. We constantly look to
our social networks – that is, our real-world networks – to
remind us who we are, where we are, and what we’re doing.
These social network provide our ontological grounding.
When translated into cyberspace, these social networks can
become almost impossibly potent – which is why, when
they’re used to bully or harass someone, they can lead to such
disastrous results. It becomes almost too easy, and we
become almost too powerful.

A lot of what we’ll see in this decade is an assessment of what
we choose to do with our new-found abilities. We can use
these social networks to transmit pornographic pictures of
one another back and forth at such frequency and density that
we simply numb ourselves into a kind of fleshy hypnosis.
That is one possible direction for the future. Or, we could
decide that we want something different for ourselves,
something altogether more substantial and meaningful. But
in order to get that sort of clarity, we need to be very clear on
what we want – both direction and outcome. At this point we
are simply playing around – with a loaded weapon – hoping
that it doesn’t accidentally go off.

Of course it does; someone sets up a Facebook page to
memorialize a murdered eight year-old, but leaves the door
open to all comers (believing, unrealistically, that others will
share their desire to mourn together), only to see the
overflowing sewage of the Internet spill bile and hatred and
psychopathology onto a Web page. This happens again and
again; it happened several times in one week in February. We
are not learning the lesson we are meant to learn. We are
missing something. Partly this is because it is all so new, but
partly it is because we do not know what our own intentions
are. Without that, without a stated goal, we can not winnow
the wheat from the chaff. We will forget to close the windows
and lock the doors. We will amuse ourselves to death.
I mention this because, as educators, it is up to all of us to act
as forces for the positive moral good of the culture as a whole.
Cultural values are transmitted by educators; and while
parents may be a bigger influence, teachers have their role to
play. Parents are simply overwhelmed by all of this novelty –
the Web wasn’t around when they were children, and social
networks weren’t around even five years ago. So, right at this
moment in time, educators get to be the adult cultural
vanguard, the vital mentoring center.

If we had to do this ourselves, alone, as individuals – or even
as individual institutions – the project would almost certainly
fail. After all, how could we hope to balance all of the
seductions ‘out there’ against the sense which needs to be
taught ‘in here’? We would simply be overwhelmed – our
current condition. Fortunately, we are as well connected, at
least in potential, as any of our students. We have access to
better resources. And we have more experience, which allows
us to put those resources to work. In short, we are far better
placed to make use of social media than our charges, even if
they seem native to the medium while we profess to be
immigrants.

One thing that has changed, because of the second shift, the
trend toward sharing, is that educational resources are
available now as never before. Wikipedia led the way, but it is
just small island in a much large sea of content, provided by
individuals and organizations throughout the world. iTunes
University, YouTube University, the numberless podcasts and
blogs that have sprung up from experts on every subject from
macroeconomics to the history of Mesoamerica – all of it
searchable by Google, all of it instantaneously accessible –
every one of these points to the fact that we have clearly
entered a new era, where we are surrounded by and saturated
with an ‘educational field’ of sorts. Whatever you need to
know, you’re soaking in it.

This educational field is brand-new. No one has made
systematic use of it, no teacher, no institution, no
administration. But that doesn’t lessen its impact. We all
consult Wikipedia when we have some trivial question to
answer; that behavior is the archetype for where education is
headed in the 21st century – real-time answers on-demand,
drawn from the educational field.

Paired with the educational field is the ability for educators to
establish strong social connections – not just with other
educators, but laterally, through the student to the parents,
through the parents to the community, and so on, so that the
educator becomes ineluctably embedded in a web of
relationships which define, shape and determine the
pedagogical relationship. Educators have barely begun to
make use of the social networking tools on offer; just to have a
teacher ‘friend’ a student in Facebook is, to some eyes, a cause
for concern – what could possibly be served by that
relationship, one which subverts the neat hierarchy of the 19th century classroom?

The relationship is the essence of the classroom, that which
remains when all the other trivia of pedagogy are stripped
away. The relationship between the teacher and the student
is at the core of the magical moment when knowledge is
transmitted between the generations. We now have the
greatest tool ever created by the hand of man to reinforce and
strengthen that relationship. And we need to use it, or else we
will all sink beneath a rising tide of noise and filth and
distraction.
But how?

Writing Hands by CHU
Writing Hands by CHU


Part Two: The Unfinished Project


The roots of today’s talk lie in a public conversation I had with
Dr. Evan Arthur, who manages the Digital Education
Revolution Group within the Department of Education,
Employment and Workplace Relations. As part of this
conversation, I asked him about educational styles, and, in
particular, Constructivism. As conceived by Jean Piaget and
his successors across the 20th century, Constructivism states
that the child learns through play – or rather, through
repeated interactions with the world. Schema are created by
the child, put to the test, where they either succeed or fail.
Failed schema are revised and re-tested, while successful
schema are incorporated into ever-more-comprehensive
schema. Through many years of research we know that we
learn the physics of the real world through a constant process
of experimentation. Every time a toddler dumps a cup of
juice all over himself, he’s actually conducting an
investigation into the nature of the real.

The basic tenets of Constructivism are not in dispute,
although many educators have consistently resisted the
underlying idea of Constructivism – that it is the child who
determines the direction of learning. This conflicts directly
with the top-down teacher-to-student model of education
which we are all intimate familiar with, which has determined
the nature of pedagogy and even the architecture of our
classrooms. This is the grand battle between play and work;
between ludic exploration and the hard grind of assimilating
the skills that situate us within an ever-more-complex culture.
At the moment, this trench warfare has frozen us in a
stalemate located, for the most part, between year two and
year three. In the first two years education has a strong ludic
component, and students are encouraged to explore. But in
year three the process becomes routinized, formalized and
very strict. Certainly, eight-year-olds are better able to
understand restrictions than six-year-olds. They’re better at
following the rules, at colouring within the lines. But it seems
as though we’ve taken advantage of the fact that an older child
is a more compliant one. It is true that as we advance in
years, our ludic nature becomes tempered by an adult’s
sensibility. But humans retain the urge to play throughout
their lives – to a greater degree than any other species we
know of. It could very well be that our ability to learn is
intimately tied to our desire to play.

If we are prepared to swallow this bitter pill, and acknowledge
that play is an essential part of the learning process, we have
no choice but to follow this idea wherever it leads us. Which
leads me back to my conversation with Evan Arthur. I asked
him about the necessity of play, and he framed his response
by talking about “The Unfinished Constructivist Project”. It is
a revolution trapped in mid-stride, a revelation that,
somehow, hasn’t penetrated all the way through our culture.
We still insist that instruction is the preferred mechanism for
education, when we have ample evidence to suggest this
simply isn’t true. Let me be clear: instruction is not the same
thing as guidance. I am not suggesting that children simply
do as they please. The more freedom they have, the more
need they have for a strong, stabilizing force to guide them as
they explore. This may be the significant (if mostly hidden)
objection to the Constructivist project: it is simply too
expensive. The human resources required to give each child
their own mentor as they work their way through the corpus
of human knowledge would simply overwhelm any current
educational model, with the exception of homeschooling. I
don’t know what the student-teacher ratio would need to be in
a fully realized Constructivist educational system, but I doubt
that twenty-to-one would be sufficient. That’s the level
needed to maintain a semblance of order, more a
peacekeeping force than an army of mentors.

There have been occasional attempts to create a fully
Constructivist educational system, but these, like the
manifold utopian communities which have been founded,
flourish briefly, then fade or fracture, and do not survive the
test of time. The level of dedication and involvement required
from both educator/mentors and parents is simply too big an
ask. This is the sort of thing that a hunter-gatherer culture
has no trouble with: the entire world is the classroom, the
child explores it, and an adult is always there to offer an
explanation or story to round out the child’s knowledge. We
live in an industrial culture (at least, our classrooms do),
where there is strict differentiation between ‘education’ and
the other activities in life, where adults are ‘educators’ or they
are not, where everything is highly formal, almost ritualized.
(Consider the highly regulated timings of the school day –
equal parts order from chaos, and ritual.) There could never
be enough support within such a framework to sustain a
Constructivist model. This is why we have the present
stalemate; we know the right thing to do, but, heretofore, we
have lacked the resources to actualize this knowledge.
That has now changed.

The educational field must be recognized as the key element
which will power the unfinished Constructivist revolution.
The educational field does not recognize the boundaries of the
classroom, the institution, or even the nation. It is simply
pervasive, ubiquitous and available as needed. Within that
field, both students and educator/mentors can find all of the
resources needed to make the Constructivist project a
continuing success. There need be no rupture between years
two and three, no transformation of educational style from
inward- to outward-directed. Instead, there can and should
be a continual deepening of the child’s exploration of the
corpus of knowledge, under the guidance of a network of
mentors who share the burden. We already have most of the
resources in place to assure that the child can have a
continuous and continually strengthening relationship with
knowledge: Wikipedia, while not perfect, points toward the
kinds of knowledge sharing systems which will become both
commonplace and easily created throughout the 21st century.

Sharing needs to become a foundational component in a
modern educational system. Every time a teacher finds a
resource to aid a student in their exploration, that should be
noted and shared broadly. As students find things on their
own – and they will be far better at it than most educators –
these, too, should be shared. We should be creating a great,
linked trail behind us as we learn, so that others, when
exploring, will have paths to guide them – should they choose
to follow. We have systems that can do this, but we have not
applied these systems to education – in large part because
this is not how we conceive of education. Or rather, this is not
how we conceive of education in the classroom. I do a fair bit
of corporate consulting, and this sort of ‘knowledge capture’
and ‘knowledge management’ is becoming essential to the
operation of a 21st century business. Many businesses are
creating their own, ad-hoc systems to share knowledge
resources among their staff, as they understand how
important this is for professional development.

This is a new battle line opened up in the war between the
unfinished constructivist project and the older, more formal
methods of education. The corporate world doesn’t have time
for methodologies which have become obsolete. Employees
must be constantly up-to-date. Professionals – particularly
doctors and lawyers – must remain continuously wellinformed
about developments in their respective fields.

Those in management need real-time knowledge streams in
order recognize and solve problems as they emerge. This is
all much more ludic than formal, much more self-directed
than guided, much more juvenile than adult – even though
these are all among the most adult of all activities. This
disjunction, this desynchronization between the needs of the
world-at-large and the delivery capabilities of an ever-moreobsolete
educational system is the final indictment of thingsas-
they-are. Things will change; either education will become
entirely corporatized, or educators will wholly embrace the
unfinished Constructivist project. Either way the outcome
will be the same.

Fortunately, the educational field has something else to offer
educators beyond the near-infinite supply of educational
resources. It is a network of individuals. It is a social
network, connected together via bonds of familiarity and
affinity. The student is embedded in a network with his
mentors; the mentors are connected to other students, and to
other mentors; everyone is connected to the parents, and the
community. In this sense, the formal space of the ‘classroom’
collapses, undone by the pressure provided by the social
network, which has effectively caused the classroom walls to
implode. The outside world wants to connect to what
happens within the crucible of the classroom, or, more
specifically, with the magical moment of knowledge
transference within the student’s mind. This is what we
should be building our social networks to support. At
present, social networks like Facebook and Twitter are dull,
unsophisticated tools, capable of connecting together, but
completely inadequate when it comes to shaping that
connection around a task – such as mentoring, or exploring
knowledge. A second generation of social networks is already
reaching release. These tools display a more sophisticated
edge, and will help to support the kinds of connections we
need within the educational field.

None of this, as wonderful as it might sound (and I admit that
it may also seem pretty frightening) is happening in a
vacuum. There are larger changes afoot within Australia, and
no vision for the future of education in Australia could ignore
them. We must find a way to harmonize those changes with
the larger, more fundamental changes overtaking the entire
educational system.

Retail Activity by CHU
Retail Activity by CHU


Part Three: The National Curriculum


Underlying fear of a Constructivist educational project is that
it would simply give children an excuse to avoid the tough
work of education. There is a persistent belief that children
will simply load up on educational ‘candy’, without eating
their all-so-essential ‘vegetables’, that is, the basic skills which
form the foundation for future learning. Were children left
entirely to their own devices, there might be some danger of
this – though, now that we live in the educational field, even
that possibility seems increasingly remote. Children do not
live in isolation: they are surrounded by adults who want
them to grow into successful adults. In prehistoric times,
adults simply had to be adults around children for the
transference of life-skills to take place. Children copied,
imitated, and aped adults – and still do. This learning-bymimesis
is still a principle factor in the education of the child,
though it is not one which is often highlighted by the
educational system. Industrial culture has separated the
adult from the child, putting one into the office, the other into
the school. That separation, and the specialization which is
the hallmark of the Industrial Age, broke the natural and
persistent mentorship of parenting into discrete units: this
much in the home, this much in the school. If we do not trust
children to consume a nourishing diet of knowledge, it is
because we do not trust ourselves to prepare it for them. The
separation by function led to a situation where no one is
responsible for the whole thread of the life. Parents look to
teachers. Teachers look to parents. Everyone, everywhere,
looks to authority for responsible solutions.

There is no authority anywhere. Either we do this ourselves,
or it will not happen. We have to look to ourselves, build the
networks between ourselves, reach out and connect from
ourselves, if we expect to be able to resist a culture which
wants to turn the entire human world into candy. This is not
going to be easy; if it were, it would have happened by itself.
Nor is it instantaneous. Nothing like this happens overnight.
Furthermore, it requires great persistence. In the ideal
situation, it begins at birth and continues on seamlessly until
death. In that sense, this connected educational field mirrors
and is a reflection of our human social networks, the ones we
form from our first moments of awareness. But unlike that
more ad-hoc network, this one has a specific intent: to bring
the child into knowledge.

Knowledge, of course, is very big, very vague, mostly
undefined. Meanwhile, there are specific skills and bodies of
knowledge which we have nominated as important: the ability
to read and write; to add and subtract, multiply and divide; a
basic understanding of the physical and living worlds; the
story of the nation and its peoples. These have very recently
been crystallized in a ‘National Curriculum’, which seeks to
standardize the pedagogical outcomes across Australia for all
students in years 1 through 10. Parents and educators have
already begun to argue about the inclusion or exclusion of
elements within that curriculum. I was taught phonics over
forty years ago, but apparently it’s still a matter of some
debate. The teaching of history is always going to be
contentious, because the story we tell ourselves about who we
are is necessarily political. So the adults will argue it out –
year after year, decade after decade – while the educators and
students face this monolithic block of text which seems to be
the complete antithesis of the Constructivist project. And,
looked at one way, the National Curriculum is exactly the type
of top-down, teacher-to-student, sit-down-and-shut-up sort
of educational mandate which is no longer effective in the
business world.

All of which means its probably best that we avoid viewing up
the National Curriculum as a validation, encouraging us to
continue on with things as they are. Instead, it should be
used as mandate for change. There are several significant
dimensions to this mandate.

First, putting everyone onto the same page, pedagogically,
opens up an opportunity for sharing which transcends
anything before possible. Teachers and students from all over
Australia can contribute to or borrow from a wealth of
resources shared by those who have passed before them
through the National Curriculum. Every teacher and every
student should think of themselves as part of a broader
collective of learners and mentors, all working through the
same basic materials. In this sense, the National Curriculum
isn’t a document so much as it is the architecture of a
network. It is the way all things educational are connected
together. It is the wiring underneath all of the pedagogy,
providing both a scaffolding and a switchboard for the
learning moment.

Is it possible to conceive of a library organized along the lines
of the National Curriculum? Certainly a librarian would have
no problem configuring a physical library to meet the needs of
the curriculum. It’s even easier to organize similar sorts of
resources in cyberspace. Not only is it easy, there’s now a
mandate to do so. We know what sorts of resources we’ll
need, going forward. Nothing should be stopping us from
creating collective resources – similar to an Australian
Wikipedia, and perhaps drawing from it – which will serve
the pedagogical requirements of the National Curriculum.
We should be doing this now.

Second, we need to think of the National Curriculum as an
opportunity to identify all of the experts in all of the areas
covered by the curriculum, and, once they’ve been identified,
we must create a strong social network, with them inside,
giving them pride of place as ‘nodes of expertise’. Knowledge
is not enough; it must be paired with mentors who have been
able to put that knowledge into practice with excellence. The
National Curriculum is the perfect excuse to bring these
experts together, to make them all connected and accessible
to everyone throughout the nation who could benefit from
their wisdom.

Here, once again, it is best to think of the National
Curriculum not as a document but as a network – a way to
connect things, and people, together. The great strength of
the National Curriculum is, as Dr. Evan Arthur put it, that it is
a ‘greenfields’. Literally anything is possible. We can go in
any direction we choose. Inertia would have us do things as
we’ve always done them, even as the centrifugal forces of
culture beyond the classroom point in a different direction.
Inertia can not be a guiding force. It must be resisted, at
every turn, not in the pursuit of some educational utopia or
false revolution, but rather because we have come to realize
that the network is the educational system.

Moving from where we are to where need to be seems like a
momentous transition. But the Web saw repeated
momentous transitions in its first fifteen years and we
managed all of those successfully. We can absorb huge
amounts of change and novelty so long as the frame which
supports us is strong and consistent. That’s the essence of the
parent-child relationship: so long as the child feels it is being
cared for, it can endure almost anything. This means that we
shouldn’t run around freaking out. The sky is not falling. The
world is not ending. If anything, we are growing closer
together, more connected, becoming more important to one
another. It may feel a bit too close from time to time, as we
learn how to keep a healthy distance in these new
relationships, but that closeness supports us all. It can keep
children from falling through the net of opportunity. It can
see us advance into a culture where every child has the full
benefit of an excellent education, without respect to income
or circumstance.

That is the promise. We have the network. We live in the
educational field. We now have the National Curriculum to
wire it all together. But can we marry the demands of the
National Curriculum with the ludic call of Constructivism?
Can we create a world where literally we play into learning?
This is more than video games that have math drills
embedded into them. It’s about capturing the interests of a
child and using that as a springboard for the investigation of
their world, their nation, their home. That can only happen if
mentors are deeply involved and embedded in the child’s life
from its earliest years.

I don’t have any easy answers here. There is no magic wand
to wave over this whole uncoordinated mess to make it all
cohere. No one knows what’s expected of them anymore –
educators least of all. Are we parents? Are we ‘friends’?
Where do we stand? I know this: we stand most securely
when we stand connected.

SW_BERLINbyCHU_601.jpg

Mark Pesce - Words.
CHU - Images.
Steve 'Fly Agaric'' - Mixing

Monday, September 6, 2010

Yarn bombing in Philly

Philadelphia light poles get all cozied up

Friday, September 3rd, 2010

By: Peter Crimmins
pcrimmins@whyy.org






Those who have an eye for graffiti may have noticed downtown Philadelphia is getting fluffier. Some scofflaws are using yarn and knitting needles to wrap sidewalk poles and bikes racks with cozies, scarves, and socks. A Chinatown art gallery gives guerrilla knitting the highbrow treatment.


Jerry Kaba strings up yarnwork for his artist girlfriend Jessie Hemmons

Jessie Hemmons wrapped two light poles on Juniper Street near the Convention Center in cozies knit from bright pink, orange, and green yarn. The streetlights are about 30 feet high, requiring a motorized cherry picker to get to the top.

"This is an opportunity I wouldn't be able to do on my own, because I don't have the resources, like being able to go up in a cherry picker."

Hemmons was invited to cover two light poles by an art gallery called Jolie Laide. Director Travis Heck likes the contrast of candy-colored yarn in a post-industrial urban block.
"It's this grungy, broken windows, all the doors are messed up. And to make it a little more beautiful – brighten it up a little with her stuff."

The covered light poles are the largest pieces of yarn bombing in Philadelphia. Hemmons did not install them by herself – she sent her boyfriend up thirty feet in the wobbly cherry picker.
The yarn will remain on the pole until it rots off – but Hemmons says when it gets faded and dirty she will cut it off.