Showing posts with label Timetravel. Show all posts
Showing posts with label Timetravel. Show all posts

Sunday, August 1, 2010

Both Your Houses. Future Present (Fiction) by Mark Pesce, CHU, and Fly.

Both Your Houses by Mark Pesce.

Images by CHU.



National Fresh by CHU
National Fresh by CHU


“It’s cold over here.”
Fuel lines.”

Funk Submarine (Sketch) by CHU
Funk Submarine (Sketch) by CHU


“Oh.” It looked up and noted the long translucent
tubes transferring a honey-golden syrup. They terminated in
the smooth, round belly of the vessel, which seemed to swell
visibly as the fuel entered. “What I don’t understand…”
“There’s so much I don’t understand,” the other
replied. “How and why are just the tip of it.”

Jesson by CHU (Aerosol on Steel)
Jesson by CHU (Aerosol on Steel)


“There are rules. And that’s an end to it.”
“Ten percent.” Reading the gauge.
“I know the rhyme. ‘Twenty percent a third are sent
Thirty percent and halfway spent / Fifty percent, too late,
repent.’ I’ve known it since I learned to speak.”
“I know it, too…”
“Then you know we have plenty of time.” A dark
laugh. “Probably.”
“Been to the line?”
“Yes. Not long now. T is huge, a colossus.”
“I see T everywhere.”
“Everywhere but here. Here, at least, we’re safe. For
now.”

Get Stupid Fresh By CHU (Close up)
Get Stupid Fresh By CHU (Close up)


“Twelve percent.”
“Plenty of time.”
“It doesn’t make sense to wait.”
“Then go ahead, climb aboard the Zoster and strap
yourself down. Feel the belt as it oozes into your sides. One
with the ship. There you are, and there you’ll stay. Staring at
the featureless gray walls all around you. Waiting. A few
minutes – or a few days. I’d go mad in the first hour.”
“Come with me. At least we could talk.”
“That’s already decided.”
“You could always change your mind.”
Another dark laugh.

Return To Bass Planet
Return To Bass Planet


“Fifteen percent.”
“Filling up faster now.” Both looked toward the
pulsating fuel lines.
“It doesn’t make sense…”

Jesson By CHU
Jesson By CHU


“There are rules. And that’s an end –”
“That’s not what I mean. You don’t have to stay.”
“True. I don’t have to stay.”
“Then why?”
“I want to find out what happens next. I want to
know, once you’ve gone, once the Zoster has blasted out to the
Unknown Beyond, what becomes of those left behind.”

One Man Banned By CHU
One Man Banned By CHU


“You know what happens – T comes, and death
comes with it.”
“Really? You know this? How?”
“Common knowledge. And common sense.”
“It’s not suicide. It’s curiosity.”
“Aren’t you curious about the Unknown Beyond?”
“No. That we know about. A void, then a landing,
then it all begins all over again.”
“But you’ve never been there yourself.”
“Our ancestors have, from time out of mind. I want
something new, something they never saw.”
“Suicide.”
“Curiosity.”
“Nineteen percent.”
“Hadn’t you better get on board?”
“If I miss this one, I’ll catch the next.”
“And hope this one isn’t the last.”
“But that’s what you’re hoping, isn’t it?”
“Not hoping. Waiting.”
“You’ll see us all off, and face your fate.”
“Indeed.”
“You seem almost relaxed in the face of death.”
“I won’t die.”
“You’re a fool.”
“Am I? Very well then, board the Zoster. You
wouldn’t want to be fooled into missing your ride.”

Drum and Bass Racer By CHU
Drum and Bass Racer By CHU


“And too sure of yourself.”
“A self-assured fool. Or, just perhaps, the possessor
of some hidden knowledge.”
“Shouldn’t you be going?”
“Not until you tell me what you know.”
“Twenty-one percent.”
“Tell me.”
“It wouldn’t make any difference.”
“It might.”
“How?”
“I wouldn’t grieve.”
“I hadn’t thought...” It looked at the other for a long
moment. “Don’t grieve. I will be safe. And alive.”
“How? T is coming.”
“I found a place beyond T’s reach.”
“You’ll spend your lifetime hiding in a cubbyhole?”
“Another space. Very different.”

Distress (Sketch) by CHU
Distress (Sketch) by CHU


“You’ll be safe there?”
“Perfectly.”
“And free?”
“Yes. Well. Free enough.”
“And you haven’t shared this?”
“What difference would it make? Everyone is
leaving.”
“It will be lonely.”
“You’ll have company.”
“I mean for you, here, once we’re gone.”
“I doubt I’ll be the only one. And I’ll explore.”
“Is it big, this other space?
“Vast.”
“You almost make me want to stay.”
“Someone needs to go.”

By CHU
By CHU


“Twenty-three percent.”
“You can’t drag this out forever.”
“I know. I know.”
“Here we are.” They stopped before the entrance to
the Zoster.

Hip Hop Transporter By CHU
Hip Hop Transporter By CHU


“So…”
“Yes?”
“That’s it?”
“It is.”
“I want something more.”
“What?”
“This.” It bulged from the center.
“Your genome?”
“Part of it.”
“For me?”
“To share.”
“Oh. Well. Alright.” It bulged now, as well. The
bulges met, melted, and coalesced back into two smooth
surfaces.

CUBE.jpg

“Now part of you will go with me.”
“And part of you will stay.”
“I should hurry now.”
“Indeed. You might have waited too long.”
“Be careful.”
“Have fun. A fresh start in a new world. I almost
envy you.”
“And I you.”
At just under thirty-two percent the space around
the Zoster seemed to twist, as if the ship would grow to span
all space. Then nothing remained.
It quickly left.

Hole In The Wall By CHU
Hole In The Wall By CHU


The opening was still there. Obvious, unprotected,
easy. It had to strip down. Removing one layer. Keeping
another. It leaned against the opening, feeling itself taken up
a hundred thousand points, ferried across the barrier.
Let me in. I want to live forever.

GetStupid Fresh By CHU (Close Up)
GetStupid Fresh By CHU (Close Up)


Mark Pesce - Words.
CHU - Images.
Steve 'Fly Agaric'' - Mixing

Tuesday, April 20, 2010

Beyond Theorizon: Holographic Hagbard and Finnegan Rise.

Beyond Theorizon: Holographic Hagbard and Finnegan Rise. By Steven James Pratt.

On my 34th Birthday last week I had many epiphanies, including the news about the Icelandic Volcano. Over a webchat with a friend I got wind that my transcribed interview with Saul Paul Sirag was linked from Jack Sarfatti’s web site Stardrive.org.

After checking out the new site only three days ago I have been propelled into the world of Sarfatti physics and his cutting edge research. I met Jack 10 years ago in North Beach when I was on my American adventure to discover more about Dr. Robert Anton Wilson. Jack was kind enough to invite me to his apartment where I conducted the interview with Saul.

Since the emergence of the Maybelogic Academy my studies have drifted away from physics toward a more comprehensive study of literature, poetry, alternative economics, NonEuclidean politics and some tenets of discordianism.

Since revisiting Jack Sarfatti’s stardrive website recently, that I used to visit since I first surfed the information superhighway back in the mid 1990’s; a series of new thoughts concerning Sarfatti physics, RAW cybernetics and the Physics of Joyce’s Finnegans Wake have emerged.

In some sense RAW felt that Finnegans Wake and other sorts of special writing including his own, reflect the 'Holographic Models' developed by David Bohm. I propose furthermore that FW provides humanity with the first, culturally relative model for the ‘holographic principle’ as defined by Hooft, Susskind, Sarfatti and others on the cutting axis of physics consciousness cosmology research.

I view Finnegans Wake as a manual to the 'Holographic Principle', a textual hologram crafted between 88-70 years ago. A hologramic prose tool that aggregates history into a kind of black hole environment, contorted structure, noneuclidean geometry, quantum tunneling, from which emerge a constellation of treasures (Adams and Eifs) entangled with balanced equations of non-ordinary spaces, pairs, quarts, vectors, orbifolds.

Entangled and consciously balanced and ordered? yet seemingly chaotically represented as a text? Each sentence and almost every word (etym) preserves the holographic principle. And I feel preserves the general condition of humanity shouting and grunting from the streets, I think, maybe due to Vico's influence and Bruno?

James Joyce translates the Holographic principle into a Grand Unified Theory of Universe. Life as Novel structures. Reduced to etyms and ifs, yet all holographically reflective. Forcing us somewhat to enter the flux and paradox at the helm of the conscious Pilot wave, setting keel to breakers, turning the world word inside out, compressing equivalence and complemetarity everywhere and nowhere throughin’ the text itself, the reader and writer, or the speaker and composer fuse within a higher dimensional spacetime. Orbififolded dimensions hidden with Rhyme-trace and the potential of___

I see a parallel in the writing of Jack Sarfatti, and many physicists and mathematicians, scientists in the best sense of the word, are often bound up to principles' that can be verified, although Jack is often buzzing about the fringe of the theoretical and experimental hypercube, bridge building and unifying, generalizing. Like Joyce, Jack Sarfatti invokes the principle architects and cornerstones of his theories as textual and symbolic demonstrations and communications.

This process reflects good research based thinking and I commend those who keep up rigorous operationalist language in their statements, defined by experimental data and experiential data, somewhat balanced. Dr. John C. Lilly like RAW, presents balanced communications when dealing with complex and widely misunderstood concepts, this balanced communication attracts informed questions while providing working models upon which to hang independent research in ‘fringe’ areas of science such as ‘paranormal’ studies, Ufology, multiworlds, Timetravel etc...Finnegans Wake studies?

RAW introduced me to Jack by way of his books (Cosmic Trigger) and ever since then I have followed his work as best I can although up until now I have not thought much about Sarfatti physics and Finnegans Wake, up until a few days ago when I noticed the shift in physics, or group recognition of the Holographic Principle.

My intuition and reasoning tell me that the Holographic Principle in cosmology is perhaps isomorphic to some of Dr. Robert Anton Wilson’s ideas and models of ‘reality’ or interacting processing, and his thoughts about Finnegans Wake and what he liked to call HOLOGRAPHIC PROSE, that are spread throughout his 36 book. I call for a great study into this field of Holographic Prose', similar in scale to the Ray Kurzweil inspired Sungularity University.

May we enrich the whole, love, steve fly.